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1950s; 1960s; 1970s; ... 2000s; Pages in category "1950s slang" The following 4 pages are in this category, out of 4 total. ... Text is available under the Creative ...
While slang is usually inappropriate for formal settings, this assortment includes well-known expressions from that time, with some still in use today, e.g., blind date, cutie-pie, freebie, and take the ball and run. [2] These items were gathered from published sources documenting 1920s slang, including books, PDFs, and websites.
Day by Day is a Doris Day album released by Columbia Records on December 17, 1956. The title is an obvious pun, both meaning "on a daily basis" (as implied in the song title) and "(Doris) Day, in the daytime" (and thus leading to a later album entitled Day by Night). The album was issued as Columbia catalog CL-942.
Billboard advertisement, November 11, 1957. The song was originally entitled "Cindy Lou", after Holly's niece, the daughter of his sister Pat Holley Kaiter. The title was later changed to "Peggy Sue" in reference to Peggy Sue Gerron (1940–2018 [3]), the girlfriend (and future wife) of Jerry Allison, the drummer for the Crickets, after the couple had temporarily broken up.
"Come Dancing" is a tribute to Davies' older sister Rene. Living in Canada with her reportedly abusive husband, the 31-year-old Rene was visiting her childhood home in Fortis Green in London at the time of Ray Davies' 13th birthday—21 June 1957—on which she surprised him with a gift of the Spanish guitar he had tried to persuade his parents to buy him. [3]
The song, while sung mostly by Michael featured cameo spots from brothers Jermaine and Jackie. According to a Jackson biographer, "Mama's Pearl" was originally called "Guess Who's Making Whoopie (With Your Girlfriend)". Producer Deke Richards reportedly had the lyrics and title changed to preserve Michael Jackson's youthful, innocent image. [5]
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[42] "The album era had ushered in the notion of the rock singer as an artist who is worth paying attention to for more than the length of a hit", Pareles later observed. "Performers could become vivid presences to their fans even when they weren't ubiquitous on the Top 40 , and loyalties were formed that continue[d] to the [1990s] for some ...