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The sonatas stem from a period late in Brahms's life where he discovered the beauty of the sound and tonal colour of the clarinet. [1] The form of the clarinet sonata was largely undeveloped until after the completion of these sonatas, after which the combination of clarinet and piano was more readily used in composers’ new works. [2]
Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.
Johannes Brahms: Clarinet Sonata No. 1 (1894) Clarinet Sonata No. 2 (1894) William Henry Hadow: Clarinet Sonata (1897) [5] Max Reger: Clarinet Sonata No. 1 (1900) Clarinet Sonata No. 2 (1900) Clarinet Sonata No. 3 (1909) Donald Francis Tovey: Clarinet Sonata in B-flat major, Op. 16 (1906) [6] Charles Villiers Stanford: Clarinet Sonata, Op. 129 ...
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
Cello Sonata No. 2 (Brahms) Clarinet Sonatas (Brahms) V. Viola Sonatas (Brahms)
Cello Sonata No. 1 (Brahms) Cello Sonata No. 2 (Brahms) Clarinet Quintet (Brahms) Clarinet Sonatas (Brahms) P. Piano Quartet No. 1 (Brahms) Piano Quartet No. 2 (Brahms)
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