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Brahms’ experience in writing his Clarinet Quintet three years earlier led him to compose the sonatas for clarinet and piano because he preferred the sound over that of clarinet with strings. [6] The keys of the sonatas—F minor and E ♭ major—correspond to the keys of the two clarinet concertos which Weber composed more than eighty years ...
Brahms: Clarinet Quintet in B minor, Op. 115 Busch Quartet 1938, DB 8471-4 Brahms Clarinet Quintet in B minor, Op. 115 Fine Arts Quartet: 1951, DL 9532 Brahms Sonata for Clarinet and Piano in F minor, Op. 120 No.1 Joel Rosen, piano 1953, DL 9639 Brahms Sonata for Clarinet and Piano in E ♭ major, Op. 120 No.2 Joel Rosen, piano 1953, DL 9639 Brahms
Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.
Felix Draeseke: Clarinet Sonata (1887), which also can be played by a violin; Samuel Coleridge-Taylor: Clarinet Sonata (c1893) [4] Josef Rheinberger:Clarinet Sonata, Op. 105a (1893) Johannes Brahms: Clarinet Sonata No. 1 (1894) Clarinet Sonata No. 2 (1894) William Henry Hadow: Clarinet Sonata (1897) [5] Max Reger: Clarinet Sonata No. 1 (1900)
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
It is notable that Brahms' other F minor sonata-form first movements – from the Sonata Op. 5 and the Clarinet Sonata Op. 120/1 – also have an expositional goal of D ♭ major, and both also are followed by a slow movement in A ♭ major.
The Piano Sonata No. 2 in F ♯ minor, Op. 2 of Johannes Brahms was written in Hamburg, Germany in 1852, and published the year after. [1] Despite being his second published work, it was actually composed before his Piano Sonata No. 1 in C major, but was published later because Brahms recognized the importance of an inaugural publication and felt that the C major sonata was of higher quality.
After Brahms listened to Mühlfeld play Weber's Clarinet Concerto No. 1 in F Minor, Mozart's Clarinet Quintet and some of Ludwig Spohr's works, his sound quality and musicianship inspired Brahms to start composing again. Brahms later wrote letters to his old friend Clara Schumann about the skill level he saw in this clarinettist's playing ...
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