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While in this brief summary and indeed upon first reading [5] the poem's structure may seem chaotic, Thomas Dilworth has celebrated The Anathemata's wide-open form as unique in being formally whole. Dilworth notes that the structure produced by Jones' poetry is a "symmetrical multiple chiasmus ," evident in Jones' manuscripts of the poem from ...
The poem is typically understood as a mix of hippie counterculture, with its desire for leisure and a return to nature, with Cold War-era technological visions. [ 5 ] [ 6 ] [ 7 ] Brautigan's publisher, Claude Hayward, said it "caught me with its magical references to benign machines keeping order ...
The Dry Salvages is the third poem of T. S. Eliot's Four Quartets, marking the beginning of the point when the series was consciously being shaped as a set of four poems. It was written and published in 1941 during the air-raids on Great Britain , an event that threatened him while giving lectures in the area.
The agitators must hide their identities because educating and organizing the workers in China is illegal. The director of the party house (the last before the frontier) helps the four agitators and the young comrade in the obliteration of their true identities. They all put on masks in order to appear as Chinese.
Martín & Meditations on the South Valley is a semiautobiographical poetry collection or "novel in verse" [1] written by Jimmy Santiago Baca and published in 1987. [2] Contents of the book include an introduction by Denise Levertov, (poetry editor at Mother Jones to whom Baca sent his early poems while in prison [3]), Martín, an epic poem in nine parts, Meditations on the South Valley, a ...
It was reprinted in On Poetry and Poets, a collection of Eliot's critical essays, in 1957. The essay is an attempt by Eliot to define the boundaries of literary criticism : to say what does, and what does not, constitute truly literary criticism, as opposed to, for example, a study in history based upon a work of literature.
The poem's final line has been hailed as one of the greatest lines in modern poetry. [2] [1] [3] [6] Although there were degrees of polarization about the line's abrasiveness, it has been credited as influential in the development of deep image and modernist poetry. [11]
John Anthony Ciardi (/ ˈ tʃ ɑːr d i / CHAR-dee; Italian:; June 24, 1916 – March 30, 1986) was an American poet, translator, and etymologist.While primarily known as a poet and translator of Dante's Divine Comedy, he also wrote several volumes of children's poetry, pursued etymology, contributed to the Saturday Review as a columnist and long-time poetry editor, directed the Bread Loaf ...