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  2. Dynamic range compression - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range_compression

    Vocal performances in rock music or pop music are compressed for the same reason. Compression can also be used on instrument sounds to create effects not primarily focused on stabilizing the volume. For instance, drum and cymbal sounds tend to decay quickly, but a compressor can make the sound appear to have a more sustained tail.

  3. Parallel compression - Wikipedia

    en.wikipedia.org/wiki/Parallel_compression

    Parallel compression, also known as New York compression, is a dynamic range compression technique used in sound recording and mixing. Parallel compression, a form of upward compression , is achieved by mixing an unprocessed 'dry', or lightly compressed signal with a heavily compressed version of the same signal.

  4. Compression artifact - Wikipedia

    en.wikipedia.org/wiki/Compression_artifact

    Compression artifacts in compressed audio typically show up as ringing, pre-echo, "birdie artifacts", drop-outs, rattling, warbling, metallic ringing, an underwater feeling, hissing, or "graininess". An example of compression artifacts in audio is applause in a relatively highly compressed audio file (e.g. 96 kbit/sec MP3).

  5. Do Musicians Actually Sing Live at Concerts or Do They Lip ...

    www.aol.com/entertainment/musicians-actually...

    At one of his band’s shows in June, Grohl insinuated that the pop star does not sing live at her concerts. “You don’t want to suffer the wrath of Taylor Swift,” Grohl told the London crowd ...

  6. FLAC - Wikipedia

    en.wikipedia.org/wiki/FLAC

    FLAC (/ f l æ k /; Free Lossless Audio Codec) is an audio coding format for lossless compression of digital audio, developed by the Xiph.Org Foundation, and is also the name of the free software project producing the FLAC tools, the reference software package that includes a codec implementation.

  7. Audio normalization - Wikipedia

    en.wikipedia.org/wiki/Audio_normalization

    Audio normalization is the application of a constant amount of gain to an audio recording to bring the amplitude to a target level (the norm). Because the same amount of gain is applied across the entire recording, the signal-to-noise ratio and relative dynamics are unchanged.

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  9. LA-2A Leveling Amplifier - Wikipedia

    en.wikipedia.org/wiki/LA-2A_Leveling_Amplifier

    Bomb Factory Digital released an emulation of the LA-2 as part of their Classic Compressors for Pro Tools plug-in bundle. [14] This plug-in has since been re-branded as the Avid BF-2A. [15] Waves Audio released a software plug-in emulation of the Teletronix LA-2A with Chris Lord-Alge's personal presets as the CLA-2A Compressor/Limiter plug-in. [16]