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Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [1] [2] although examples became more common in the nineteenth century. [3]
Alexander Scriabin: 24 Preludes, Op. 11 (1893–95) – Scriabin wrote a total of 90 preludes for piano (50 in major keys, 31 in minor keys, and 9 in indeterminate keys). These contained only one complete set of preludes in all 24 major and minor keys. Sergei Rachmaninoff: 24 Preludes, Opp. 3/2, 23, and 32 (1892, 1901–03, and 1910)
Piano Quintet (Enescu) Piano Quintet No. 1 (Farrenc) Piano Sonata in A minor, D 537 (Schubert) Piano Sonata in A minor, D 784 (Schubert) Piano Sonata in A minor, D 845 (Schubert) Piano Sonata No. 2 (Szymanowski) Piano Sonata No. 3 (Prokofiev) Piano Sonata No. 8 (Mozart) Piano Trio (Ravel) Piano Trio (Tchaikovsky) Piano Trio in A minor (Hill)
Pages in category "Compositions covering all major and/or minor keys" The following 20 pages are in this category, out of 20 total. This list may not reflect recent changes .
Mozart's only composition in this key is the second movement to his Piano Concerto No. 23 in A major. [3] F-sharp minor is sometimes used as the parallel minor of G-flat major, especially since G-flat major's real parallel minor, G-flat minor, would have nine flats including two double-flats.
Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.
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