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  2. Minor scale - Wikipedia

    en.wikipedia.org/wiki/Minor_scale

    A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale:

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    minor — Aeolian mode or natural minor scale: Aeolian on C. Play ... The A melodic minor scale, ascending and descending, on A. Play ...

  4. Aeolian mode - Wikipedia

    en.wikipedia.org/wiki/Aeolian_mode

    The Aeolian mode is identical with the natural minor scale. Thus, it is ubiquitous in minor-key music. The following is a list of some examples that are distinguishable from ordinary minor tonality, which also uses the melodic minor scale and the harmonic minor scale as required. Traditional – "God Rest You Merry, Gentlemen"

  5. A minor - Wikipedia

    en.wikipedia.org/wiki/A_minor

    The A natural minor scale is: ... The scale degree chords of A minor are: Tonic – A minor; Supertonic – B diminished; Mediant – C major; Subdominant – D minor;

  6. Mode (music) - Wikipedia

    en.wikipedia.org/wiki/Mode_(music)

    The Dorian mode corresponds to the natural minor scale with a major sixth. The Phrygian mode corresponds to the natural minor scale with a minor second. The Locrian is neither a major nor a minor mode because, although its third scale degree is minor, the fifth degree is diminished instead of perfect.

  7. Richter-tuned harmonica - Wikipedia

    en.wikipedia.org/wiki/Richter-tuned_harmonica

    Lee Oskar specially tunes harmonicas to allow players to play a natural minor or major scale from 2 draw to 6 blow, or a harmonic minor scale from 4 blow to 7 blow. Below are some sample layouts (the key labels describe the scale from 2 draw to 6 blow, whereas traditional harmonicas are labelled according to the scale between 4 and 8 blow).

  8. Minor seventh chord - Wikipedia

    en.wikipedia.org/wiki/Minor_seventh_chord

    This chord occurs on different scale degrees in different diatonic scales: In a major scale, it is on the supertonic, mediant, and submediant degrees (, , and ). [3] This is why the ii in a ii–V–I turnaround is a minor seventh chord (ii 7). In a natural minor scale, it is on the tonic, subdominant, and dominant degrees (, , and ). [4]

  9. Roman numeral analysis - Wikipedia

    en.wikipedia.org/wiki/Roman_numeral_analysis

    The seventh scale degree is very often raised a half step to form a leading tone, making the dominant chord (V) a major chord (i.e. V major instead of v minor) and the subtonic chord (vii), a diminished chord (vii o, instead of ♭ VII). This version of minor scale is called the harmonic minor scale.