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The first page of Othello from the First Folio, printed in 1623. The terminus ad quem for Othello (that is, the latest year in which the play could have been written) is 1604, since a performance of the play in that year is mentioned in the accounts book of Sir Edmund Tilney, then Master of the Revels. [36] [37]
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He is the most famous playwright in the history of the world, and Othello is the most well-known Black character in all of theatre. In fact, Othello has achieved an archetypal status of mythic proportion. But portraits of Othello, the character, or Othello the syndrome (morbid jealousy), all appear to have been painted by non-Black people.
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
About a decade earlier, Morrison and Sellars had disagreed about Shakespeare’s play, which Sellars detested but Morrison valued. They agreed that Sellars would stage “Othello” and Morrison would respond to in another way, resulting in her Desdemona. [2] The play revolves around Desdemona's relationship with her mother's maid "Barbary."
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Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio .
Otello is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Berio di Salsa [] after William Shakespeare's play Othello, or The Moor of Venice; it was premiered in Naples, Teatro del Fondo, 4 December 1816.