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Initially having no bold weight, when Inconsolata was added to Google Fonts, it was fully hinted and a bold variant was added. A Hellenised version of Inconsolata, containing full support for monotonic Modern Greek , was released by Dimosthenis Kaponis in 2011 as Inconsolata Hellenic, under the same license.
Klavika is a family of sans-serif fonts designed by Eric Olson and released by Process Type Foundry in 2004. It contains four weights: light, regular, medium, and bold (with corresponding italics) and variations of numerals. [1] The family of typefaces is described as straight-sided technical sans-serifs [2] flexible for editorial and identity ...
[3] [4] The design is based on DejaVu Sans, also an open-source font. [citation needed] Like many dyslexia-intervention typefaces, most notably Dyslexie, OpenDyslexic adds to dyslexia research and is a reading aid. It is not a cure for dyslexia. [5] The typeface includes regular, bold, italic, bold-italic, and monospaced font styles. The ...
As of 2014 his implementation included fonts based on the 8 and 12 point forms from the 1592 specimen, but lacked the bold font faces. As Georg Mayr-Duffner couldn't complete the bold weights for personal reasons, Google commissioned the Spanish type designer Octavio Pardo [4] to continue the project. As of 2018 Pardo's implementation includes ...
The direct ancestor of Bookmans were several fonts from around 1869 named "Old Style Antique" intended as a bold complement to the original Old Style face. "Antique" was a common name given to bolder typefaces of the time, now often called slab serifs , and identifies the aim of creating a complementary bolder design on the oldstyle model for ...
Source Sans (known as Source Sans Pro before 2021) [1] is a sans-serif typeface created by Paul D. Hunt, released by Adobe in 2012. [2] It is the first open-source font family from Adobe, distributed under the SIL Open Font License.
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[25] Other designers who liked it included Allen Hutt, who described it in Newspaper Design (1960) as "the best of all Medium Sans, the famous Grotesque No. 9". [26] Grotesque No. 9 reached phototypesetting and Letraset dry transfer lettering and, unlike many of the other Stephenson Blake Grotesques, has been digitised in several releases. [27]