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This is a list of editorial cartoonists of the past and present sorted by nationality.An editorial cartoonist is an artist, a cartoonist who draws editorial cartoons that contain some level of political or social commentary.
The traditional and most common outlet for political cartoonists is the pocket cartoon, which usually appears on the editorial page or the front news page of a newspaper. . Editorial cartoons are not usually found in the dedicated comics section, although certain cartoons or comic strips (such as Doonesbury) have achieved crossover stat
Clay Bennett (born January 20, 1958, in Clinton, South Carolina) is an American editorial cartoonist.His cartoons typically present liberal viewpoints. Currently drawing for the Chattanooga Times Free Press, [1] Bennett is the recipient of the 2002 Pulitzer Prize for Editorial Cartooning.
Patrick Blower (born 10 January 1959) is a British editorial cartoonist and painter whose work appears predominantly in the Daily Telegraph where he is the current chief political cartoonist. [1] In 2023 he won the Political Cartoon Society’s Award for Political Cartoonist of the Year. [2]
This is a list of cartoonists, visual artists who specialize in drawing cartoons.This list includes only notable cartoonists and is not meant to be exhaustive. Note that the word 'cartoon' only took on its modern sense after its use in Punch magazine in the 1840s - artists working earlier than that are more correctly termed 'caricaturists',
A Rake's Progress, Plate 8, 1735, and retouched by William Hogarth in 1763 by adding the Britannia emblem [5] [6]. The pictorial satire has been credited as the precursor to the political cartoons in England: John J. Richetti, in The Cambridge history of English literature, 1660–1780, states that "English graphic satire really begins with Hogarth's Emblematical Print on the South Sea Scheme".
The historian Simon Sebag Montefiore referred to the cartoon as "repellent" and "explicitly racist". Dave Rich, head of policy at the Community Security Trust (CST) charity, said that the cartoon "falls squarely into an antisemitic tradition of depicting Jews with outsized, grotesque features, often in conjunction with money and power". Rowson ...