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Salut is a song performed by Joe Dassin from his 1975 album Joe Dassin (Le Costume blanc) (CBS 81147). [2] It was also released as a single, in 1976 with "Et si tu n'existais pas" on the other side. It is a French adaptation, by Pierre Delanoë and Claude Lemesle, of an Italian song, "Uomo dove vai" (by Toto Cutugno).
"La Marseillaise" [a] is the national anthem of France. It was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by the First French Republic against Austria, and was originally titled "Chant de guerre pour l'Armée du Rhin ". [b] The French National Convention adopted it as the First Republic's
The song won the competition so it became the Luxembourgian entry –and Baccara the performers– for Eurovision. [4] On 22 April 1978, the Eurovision Song Contest was held at the Palais des Congrès in Paris hosted by Télévision Française 1 (TF1) and broadcast live throughout the continent. Baccara performed "Parlez-vous français ?"
The French Song: A&M 1964 South Africa's Sweetheart: Lucille Start with Bob Regan: 1967 Say you love me: 1968 In South Africa: 1968 Greatest Hits: A&M 1968 Remember Me: CBS 1969 Lonely Street: Epic 1971 Side by Side: Harmony 1981 The Sun Shines Again [11] Starr 1988 Back to You: Quality 1991 Songs of Love: Intersound Chansons D'Amour ...
The songs below, unlike the previous ones on the list, were recorded in studio specifically for Dalida's appearances in musical TV series. Aria di Parigi (duet with Alberto Lupo for "Partitissima"; 1967) Carnaby Street (duet with Patty Pravo for "Partitissima"; 1967) La prima cosa bella (duet with Massimo Ranieri; 1971)
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His hits in the later part of the decade included "La Corrida" (1956), "Le Jour où la Pluie Viendra" (1957), and "C'est Merveilleux L'amour" (1958). His first hit in the English-speaking world was Jane Morgan 's cover version of "Le jour où la pluie viendra" (as " The Day the Rains Came ", with English lyrics by Carl Sigman ) in 1958. [ 4 ]
Bonjour Biqui, Bonjour! is an 1893 song for voice and piano with words and music by Erik Satie. At a mere four bars - less than half a minute in performance, and that due to its slow tempo - it is the shortest of his complete compositions.