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Prince Bagration (1765-1812) – Russian general, considered "The hero of heroes" by Tolstoy. He is a modest, polite, but very strong character – An accurate image of Bagration in real life. Fought the French in a rear-guard action near Schoengraben in 1805, protecting Kutuzov. Commander of an army in 1812, killed at Borodino.
Princess Maria [1] Nikolaevna Bolkonskaya (Russian: Мария Болконская, Mariya Bolkonskaia) is a fictional character in Leo Tolstoy's 1869 novel War and Peace. Princess Maria, the sister of Prince Andrei Bolkonsky , is a deeply religious young woman who has resigned herself to an unmarried life to be with her domineering father ...
The Tolstoys were a well-known family of old Russian nobility who traced their ancestry to a mythical [14] nobleman named Indris described by Pyotr Tolstoy as arriving "from Nemec, from the lands of Caesar" to Chernigov in 1353 along with his two sons Litvinos (or Litvonis) and Zimonten (or Zigmont) and a druzhina of 3000 people.
Countess Natalya "Natasha" Ilyinichna Rostova (/ iː lj iː ˈ n iː tʃ. n ɑː ˈ r oʊ. s t oʊ ˈ v ɑː /; Russian: Наталья "Наташа" Ильинична Ростова, named Natasha Rostov in the Rosemary Edmonds version; born 1792, according to the book) is a central fictional character in Leo Tolstoy's 1869 novel War and Peace.
Count Nikolai Ilyich Rostov (Russian: Николай Ильич Ростов) is a character in Leo Tolstoy's 1869 novel War and Peace. Count Nikolai is the brother of Vera Rostova, Natasha Rostova and Petya Rostov. At the start of the novel, Nikolai is aged 20 and a university student.
Tolstoy used a great deal of his own experience in the Crimean War to bring vivid detail and first-hand accounts of how the Imperial Russian Army was structured. [13] Tolstoy was critical of standard history, especially military history, in War and Peace. He explains at the start of the novel's third volume his own views on how history ought to ...
Anatole Vasilyevich Kuragin (Russian: Анатолий (Анатоль) Васильевич Курагин) is a fictional character in Leo Tolstoy's 1869 novel War and Peace, [1] its various cinematic adaptations, and an operatic adaptation as well.
Reviewing the translations by Bartlett and Schwartz for The New York Times Book Review, Masha Gessen noted that each new translation of Anna Karenina ended up highlighting an aspect of Tolstoy's "variable voice" in the novel, and thus, "The Tolstoy of Garnett... is a monocled British gentleman who is simply incapable of taking his characters as ...