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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
The amplifiers he used with the Banshees were a Peavey Heritage, a Marshall MV50 combo and a Roland Jazz Chorus 120. [8] Carruthers stated that he used a similar amp set up to John McGeoch's. He used the "Roland Jazz Chorus with a splitter box, and put one signal to the Peavey for a lead sound, and the other to the Marshall which I have really ...
Reynolds also used a Roland Jazz Chorus-120 amplifier on tour during the 1980s and a Marshall Lead 100 Mosfet used in the clip "Space Age Love Song in with Orchestra" in 2018. [15] For instrumental performances such as "D.N.A," he used a ProCo The Rat in his performances; this distortion pedal was used a lot when Reynolds was in the band in ...
The majority of his clean tones come from a Roland JC-120 Jazz Chorus Guitar Amplifier, although many different amplifiers have been used over the years. In December 2011, it was announced by Fortin Amps that they would team up with Randall Amplifiers to start a new line of tube amplifiers based on the Fortin Meathead amplifier.
Steven Rothery (born 25 November 1959) is an English musician who is the original guitarist and the longest continuous member of the progressive rock band Marillion.Outside Marillion, Rothery has recorded two albums as part of the duo The Wishing Tree and an instrumental solo album, The Ghosts of Pripyat, released in September 2014.
Rhodes used an Ovation acoustic guitar connected through a Roland Jazz Chorus amplifier on "Intruder", which was the first time he used this setup on a recording. [14] After the introduction of the guitar scrapes, a series of dissonant and percussive guitar and piano chords follow, which later segue into a descending melodic pattern accompanied ...
His amps were a Roland Jazz Chorus JC120 and two Marshall MV50 combos. [15] His use of flange and chorus added depth and space to his parts. [16] During the recording sessions of Juju, he used devices such as the Gizmo on "Into the light", and an EBow on "Sin in My Heart". [17]
Boss CE-1 Chorus Ensemble. Boss released its first pedal, the CE-1, in 1975 after the "chorus" effect proved popular among guitarists with its use in the JC-120 and JC-60 Jazz Chorus amplifiers, released by Boss's parent company Roland Corporation. [12]