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Gateway Worship performed the song on their album Living for You and added a chorus to the song, calling it "Come Thou Fount, Come Thou King". The hymn appears on Phil Wickham's album 'Sing-A-Long'. This song is also sung by Clark Davis in the film Love Comes Softly and is a recurring background music in the film.
Robert Robinson (27 September 1735 – 9 June 1790) was an English Dissenter, influential Baptist and scholar who made a lifelong study of the antiquity and history of Christian Baptism. He was also author of the hymns " Come Thou Fount of Every Blessing " and "Mighty God, while angels bless Thee", the former of which he wrote at age 22 after ...
Of these, 77 hymns had been included in the 1835 hymnbook. Many of the hymns included in the 1841 hymnal were more focused on grace, the blood of Christ, and the cross than other LDS hymn collections. Examples include "Amazing Grace", "Come, Thou Fount of Every Blessing", and "When I Survey the Wondrous Cross".
View history; General ... Pages in category "18th-century hymns" ... Come Thou Almighty King; Come Thou Fount of Every Blessing; Come, O thou Traveller unknown ...
Hymn Words Music Notes 1001: Come, Thou Fount of Every Blessing: Robert Robinson: Wyeth’s Repository: 1002: When the Savior Comes Again: Lane Johnson: Lane Johnson: 1003: It Is Well with My Soul: Horatio Spafford: Philip Bliss: 1004: I Will Walk with Jesus: Stephen P. Schank: Stephen P. Schank: 1005: His Eye Is on the Sparrow: Civilla D ...
Many were published under the collective title Walworth Hymns in 1792. A version of his hymn "My Song in the Night" was included on the album Come, Thou Fount of Every Blessing released by the Tabernacle Choir at Temple Square in 2009. Swain died aged 35 on 14 April 1796. He was buried in Bunhill Fields burial ground in London.
Come Down, O Love Divine; Come Thou Almighty King; Come Thou Fount of Every Blessing; Come, O thou Traveller unknown; Come, Thou Long Expected Jesus; Come, Ye Thankful People, Come; Corpus Christi Carol; Crown Him with Many Crowns
Market forces rather than denominational control have characterized the history of hymnals in the thirteen colonies and the antebellum United States; even today, denominations must yield to popular tastes and include "beloved hymns" such as Amazing Grace [3] and Come Thou Fount of Every Blessing, [4] in their hymnals, regardless of whether the ...