Search results
Results from the WOW.Com Content Network
Tonality is the arrangement of pitches and / or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions, and directionality.. In this hierarchy, the single pitch or the root of a triad with the greatest stability in a melody or in its harmony is called the tonic.
Major and minor, the adjectives used to describe the tonality of a scale, key, or chord; Major-minor tonality, a system of music in which specific hierarchical pitch relationships are based on a key "center" or tonic; Major/minor composition, a musical composition that begins in a major key and ends in a minor key; Major/Minor, an album by Thrice
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.
Tertian chords can be decomposed into a series of (major or minor) thirds. For example, the C major triad (C–E–G) is defined by a sequence of two intervals, the first (C–E) being a major third and the second (E–G) being a minor third. Most common chords are tertian. Secundal chords can be
The major VIth degree in minor is the only one where both functions, sP (major relative of the minor subdominant) and tG (major counterparallel of the minor tonic), are equally plausible. Other signs (not discussed here) are used to denote altered chords, chords without fundamental, applied dominants, etc. Degree VII in harmonic sequence (e.g.
Major and minor keys that share the same key signature are relative to each other. For instance, F major is the relative major of D minor since both have key signatures with one flat. Since the natural minor scale is built on the 6th degree of the major scale, the tonic of the relative minor is a major sixth above the tonic of the major scale ...
In this case, the IV chord in C major (F major) would be spelled F–A–C, the V/ii chord in C major (A major) spelled A–C ♯ –E, and the ii chord in C major (D minor), D–F–A. Thus the chromaticism, C–C ♯ –D, along the three chords; this could easily be part-written so those notes all occurred in one voice.