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Alban Maria Johannes Berg (/ b ɛər ɡ / BAIRG, [1] German: [ˈalbaːn ˈbɛʁk]; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School.His compositional style combined Romantic lyricism with the twelve-tone technique. [2]
Sketch of Alban Berg by Emil Stumpp. The following is an incomplete list of the compositions of Alban Berg: Jugendlieder (1), composed 1901–4, voice and piano, published 1985 [1] "Herbstgefühl" (Siegfried Fleischer) "Spielleute" (Henrik Ibsen) "Wo der Goldregen steht" (F. Lorenz) "Lied der Schiffermädels" (Otto Julius Bierbaum)
The three central figures of musical expressionism are Arnold Schoenberg (1874–1951) and his pupils, Anton Webern (1883–1945) and Alban Berg (1885–1935), the so-called Second Viennese School.
Prime, retrograde, inverse, and retrograde-inverse permutations. The Second Viennese School (German: Zweite Wiener Schule, Neue Wiener Schule) was the group of composers that comprised Arnold Schoenberg and his pupils, particularly Alban Berg and Anton Webern, and close associates in early 20th-century Vienna.
Berg's expressionist music emphasized Wozzeck's and other characters' emotions and thought processes, particularly Wozzeck's madness and alienation. Though atonal , it was not always without conventional function in its voice leading , extended tonicizations , or arguably tonal passages.
The Seven Early Songs (Sieben frühe Lieder) (c. 1905 – 1908), are early compositions of Alban Berg, written while he was under the tutelage of Arnold Schoenberg.They are an interesting synthesis combining Berg's heritage of pre-Schoenberg song writing with the rigour and undeniable influence of Schoenberg.
Alban Berg's Violin Concerto was written in 1935. It is probably Berg's best-known and most frequently performed piece. In it, Berg sought to reconcile diatonicism and dodecaphony. The work was commissioned by Louis Krasner, and dedicated by Berg to "the memory of an angel". It was the last work he completed.
Replete with both waltz music and Ländler music, this piece demonstrates an inherent eclecticism that, as in many of Berg's works, permitted a synthesis of old and new, classical and popular, often infused with grotesquerie. Marsch (March) A sizable and highly imaginative march, notable for its element of chaos and its extremes of ...
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