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By 12, 41% of kids surveyed said they read less than one book a week and 53% of 12- to 17-year-olds don’t like reading at all. ... For example, she suggests, ask AI:
Ramayana, Odyssey (), Alice's Adventures in Wonderland (Lewis Carroll), "Goldilocks and the Three Bears", Orpheus, The Time Machine (), Peter Rabbit (Beatrix Potter), The Hobbit (J.R.R. Tolkien), Brideshead Revisited (Evelyn Waugh), "The Rime of the Ancient Mariner" (Samuel Taylor Coleridge), Gone with the Wind (Margaret Mitchell), The Third Man, The Lion King, Back to the Future, The Lion ...
She gives examples from literature of point-of-view variations. First person and third person are discussed, and even an example of writing fiction in second person is given. Chapter Six: Character; Using examples from the works of Heinrich von Kleist and Jane Austen, Prose discusses how writers can develop characterization. She mentions that ...
Because SparkNotes provides study guides for literature that include chapter summaries, many teachers see the website as a cheating tool. [7] These teachers argue that students can use SparkNotes as a replacement for actually completing reading assignments with the original material, [8] [9] [10] or to cheat during tests using cell phones with Internet access.
As explained in Wikipedia:Plot-only description of fictional works, an encyclopedia article about a work of fiction frequently includes a concise summary of the plot. The description should be thorough enough for the reader to get a sense of what happens and to fully understand the impact of the work and the context of the commentary about it.
"The Women Men Don't See" is a science fiction novelette by American writer Alice Bradley Sheldon, published under the pseudonym James Tiptree, Jr. [1] Originally published in Fantasy and Science Fiction in 1973, it subsequently was republished in the magazine's October 1979 thirtieth anniversary issue, [ 2 ] and again in 2009's The Very Best ...
Show, don't tell is a narrative technique used in various kinds of texts to allow the reader to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. [1]
These people don't exist! There's nobody that rich and stupid and narcissistic! '". (The article states, "When Michiko Kakutani first reviewed Less Than Zero in The New York Times in June of 1985, she began the review this way: 'This is one of the most disturbing novels I've read in a long time. ' ") [15] Ellis remarks "surprise!".