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Amy is a 2015 British documentary film directed by Asif Kapadia and produced by James Gay-Rees. The film covers British singer-songwriter Amy Winehouse 's life and her struggle with substance abuse , both before and after her career blossomed, and which eventually caused her death.
Lost Girls stars Amy Ryan as the real life activist Mari Gilbert, along with Thomasin McKenzie, Lola Kirke, Oona Laurence, Dean Winters, Miriam Shor, Reed Birney, Kevin Corrigan, and Gabriel Byrne. The film premiered at the Sundance Film Festival on January 28, 2020, and was later released on March 13, 2020, by Netflix.
Olson was introduced to Love Has Won and Amy Carlson by a New Age scholar at University of Texas at Austin, wondering how Carlson went from a McDonald's manager to a cult leader. [3] [4] Olson approached followers of Carlson with empathy and curiosity, interested primarily in the systematic and social factors that led them to Love Has Won. [5]
Back to Black, the controversial Amy Winehouse biopic, has confirmed its release date on Netflix in the UK and Ireland in September 2024.
Trust No One: The Hunt for the Crypto King. The Internet is rife with scams, and Netflix seems determined to expose every single one. In Trust No One, a Canadian crypto-exchange founder ...
Playwright Lindsey Ferrentino is adapting her stage show “Amy and the Orphans” into a feature film at Netflix. Ferrentino will write and direct the movie, marking her feature directorial debut.
Knock Down the House is a 2019 American documentary film directed by Rachel Lears. [1] It revolves around the 2018 congressional primary campaigns of Alexandria Ocasio-Cortez, Amy Vilela, Cori Bush and Paula Jean Swearengin, four progressive Democrats endorsed by Justice Democrats and Brand New Congress who ran in that year's midterm elections.
The Bleeding Edge is a 2018 Netflix original documentary film that investigates the $400 billion medical device industry. [1] Written and directed by Kirby Dick and produced by Amy Ziering and Amy Herdy, it premiered at the 2018 Tribeca Film Festival, where it was billed as "the stuff of dystopian nightmares". [2]