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The Citizens' Theatre repertory was founded in 1943 by dramatist and screenwriter James Bridie, [3] [4] author of around forty plays presented in Britain and overseas, art gallery director Tom Honeyman, [5] [6] cinema impresario George Singleton, known by many as "Mr Cosmo", whose headquarter cinema continues today as the Glasgow Film Theatre ...
A new stage production about the town of Lockerbie's response to the Pan Am disaster is to reopen the Citizens Theatre in Glasgow. Small Acts of Love focuses on the people of the town in Dumfries ...
It is the longest-established touring theatre company in Scotland. The company changed its name from Citizens' Theatre for Youth in the 1970s and became TAG, which stood for Theatre About Glasgow. Recent times have seen a change in funding for the company and the introduction of a Scotland-wide remit.
Bridie was the founder of the Citizens Theatre [13] [14] in Glasgow, in association with joint founders art director Dr Tom Honeyman and cinema magnate George Singleton, who also created the Cosmo, predecessor of today's Glasgow Film Theatre. Many of his plays were staged at the Citizens Theatre between 1943 and 1960.
Giles Pollock Havergal CBE (born 9 June 1938, in Edinburgh) is a theatre director and actor, opera stage director, teacher, and adaptor.He was artistic director of Glasgow's Citizens Theatre from 1969 until he stepped down in 2003, one of the triumvirate of directors at the theatre, alongside Philip Prowse and Robert David MacDonald.
Laurance Rudic (born 10 September 1952) is a British theatre artist best known for his long association as a leading member of the Glasgow Citizens Theatre company - 1972-1996. For 34 years, (1969–2004) 'The Citz' as it came to be known, was run by a trio of maverick geniuses - Giles Havergal, Philip Prowse and Robert David MacDonald. Under ...
Dominic Hill was appointed Artistic Director of the Citizens Theatre in 2011. Dominic Hill’s programmes of classic texts told for contemporary audiences alongside Glasgow stories, as well as his own distinctive production style, have won praise from public and critics alike and have reaffirmed the Citizens’ role as the leading producer of courageous theatre in Scotland.
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