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Legend of the Bluebonnet; Legend of the Indian Paintbrush; Legend of the Persian Carpet; Little Grunt and the Big Egg; Mice Squeak We Speak; Michael Bird-Boy; Mr. Satie and the Great Art Contest; Mysterious Giant of Barletta; Now One Foot, Now the Other; Oliver Button is a Sissy; Pancakes for Breakfast; The Popcorn Book; The Quicksand Book; The ...
Legend" (Russian: Легенда, Legenda), Op. 54, No. 5 (also known as "The Crown of Roses" in some English-language sources) [1] is a composition by Pyotr Ilyich Tchaikovsky. Originally written in 1883 as a song for solo voice and piano, it was subsequently arranged by Tchaikovsky for solo voice and orchestra (1884), and then for ...
Bluebonnet is a name given to any of a number of purple-flowered or blue-flowered species of the genus Lupinus predominantly found in southwestern United States and is collectively the state flower of Texas.
Mary Sabina Daggett was born November 11, 1880, in Fort Worth, Texas to Ephraim Merrill "Bud" and Laura Alice Palmer Daggett. [1] Mary's father, a cowboy and trail driver-turned-cattleman, [2] came from a family of local pioneers: his uncle and namesake, Ephraim Merrill Daggett (1810-1883) is known as the "Father of Fort Worth."
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Tannhäuser was a proponent of the leich (lai) style of minnesang and dance-song poetry. As literature, his poems parody the traditional genre with irony and hyperbole, somewhat similar to later commercium songs. However, his Bußlied (Poem on Atonement) is unusual, given the eroticism of the remaining Codex Manesse.
The Ingoldsby Legends (full title: The Ingoldsby Legends, or Mirth and Marvels) is a collection of myths, legends, ghost stories and poems written supposedly by Thomas Ingoldsby of Tappington Manor, actually a pen-name of an English clergyman named Richard Harris Barham.
Manuscript of Damage and destruction in realmes by John Lydgate, ca. 1450, in the Houghton Library at Harvard University.. Having literary ambitions (he was an admirer of Geoffrey Chaucer and a friend to his son, Thomas) he sought and obtained patronage for his literary work at the courts of Henry IV of England, Henry V of England and Henry VI of England.