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Beach Weather is an American pop rock band formed in 2015 by lead vocalist and rhythm guitarist Nick Santino, best known for their song "Sex, Drugs, Etc." which was certified Platinum on May 16, 2023. [3] Beach Weather has released four EPs and their debut full-length studio album, Pineapple Sunrise, was released on March 3, 2023, through ...
Melt is the second studio album by American pop rock band Beach Weather. The album was released on October 25, 2024, via 8123 and last nite/Arista Records. The group released four singles prior to the album's release, "High in Low Places", "Hottest Summer on Record", "Hardcore Romance" and "Deadbeat Blue". The fifth single, "Fake Nice" was ...
The album was preceded by the release of two more singles, "The Weather" and "Paint Me Silver". The album was released to critical acclaim, with many publications praising it as an evolution and maturation of the band's sound and songwriting. A little over a year after the release of The Weather, on 23 July 2018, Pond released the single "Burnt ...
Upon the release of "High in Low Places", Beach Weather shared a post on Instagram with the caption, "Welcome to our desert disco." [3] Nick Santino described the track as their "apocalyptic love song." He explained how the concept of the song was to find "peace in one another while the world was slowly melting." [1]
After the band broke up in 2013, he went on to pursue a solo career and has released numerous solo EPs and a full-length album, Big Skies, which was released on May 27, 2014. In 2015, he formed the group Beach Weather.
"Unlovable" is a song by American rock band Beach Weather. It was released on August 12, 2022, as the second single from their debut studio album, Pineapple Sunrise . The song was later re-released on June 2, 2023, featuring English rock band Pale Waves .
The Weather received positive reviews from music critics, holding an average critic score of 80, based on 16 reviews, indicating "generally favorable reviews". [3] Saby Reyes-Kulkarni of Pitchfork wrote that "For all its disjointedness, the album never wanders more than a few inches away from the sublime. It’s a document of a band knocking ...
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