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Excelsior! There is a Lancashire version or parody, Uppards, written by Marriott Edgar one hundred years later in 1941. James Thurber (1894–1961) illustrated the poem in Fables for Our Time and Famous Poems Illustrated in 1945.
The work is a parody based on the poem Excelsior by Henry Wadsworth Longfellow. The Sun's opening night review called it "good entertainment, notwithstanding the worthlessness of the play itself, and the saving of it from failure was due altogether to the interpolations by the amusing members of the company."
Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain.The earliest example of the form is the Batrachomyomachia ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great.
A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation.Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture).
Excelsior Recordings, a record label from the Netherlands; Excelsior Brass Band, an 1879-1931 brass band from New Orleans "Excelsior", a setting of Longfellow's poem to music by Michael William Balfe
Loyd had a friend who was willing to wager that he could always find the piece which delivered the principal mate of a chess problem. Loyd composed this problem as a joke and bet his friend dinner that he could not pick a piece that didn't give mate in the main line (his friend immediately identified the pawn on b2 as being the least likely to deliver mate), and when the problem was published ...
The New York Times even reviewed one such parody four days before reviewing Longfellow's original poem. This was Pocahontas: or the Gentle Savage , a comic extravaganza which included extracts from an imaginary Viking poem, "burlesquing the recent parodies, good, bad, and indifferent, on The Song of Hiawatha.
Burlesque overlaps with caricature, parody and travesty, and, in its theatrical form, with extravaganza, as presented during the Victorian era. [4] The word "burlesque" has been used in English in this literary and theatrical sense since the late 17th century.