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Excelsior! There is a Lancashire version or parody, Uppards, written by Marriott Edgar one hundred years later in 1941. James Thurber (1894–1961) illustrated the poem in Fables for Our Time and Famous Poems Illustrated in 1945.
"Aislinge Meic Con Glinne" (Middle Irish: "Vision-poem of the son of Conglinne") is a Middle Irish tale of anonymous authorship, generally believed to have been written in the late 11th/early 12th century. [1] A parody of the "Vision" genre of religious text, it has been described as the "best major work of parody" in the Irish language. [2]
Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain.The earliest example of the form is the Batrachomyomachia ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great.
The New York Times even reviewed one such parody four days before reviewing Longfellow's original poem. This was Pocahontas: or the Gentle Savage , a comic extravaganza which included extracts from an imaginary Viking poem, "burlesquing the recent parodies, good, bad, and indifferent, on The Song of Hiawatha.
Excelsior Recordings, a record label from the Netherlands; Excelsior Brass Band, an 1879-1931 brass band from New Orleans "Excelsior", a setting of Longfellow's poem to music by Michael William Balfe
Loyd had a friend who was willing to wager that he could always find the piece which delivered the principal mate of a chess problem. Loyd composed this problem as a joke and bet his friend dinner that he could not pick a piece that didn't give mate in the main line (his friend immediately identified the pawn on b2 as being the least likely to deliver mate), and when the problem was published ...
The work is a parody based on the poem Excelsior by Henry Wadsworth Longfellow. The Sun's opening night review called it "good entertainment, notwithstanding the worthlessness of the play itself, and the saving of it from failure was due altogether to the interpolations by the amusing members of the company."
His literary reputation was first made by a flair for parody, in a column Imaginary Speeches in The New Age from 1909. His poetry from World War I was satirical; at the time he was reviewing for the New Statesman , using the name Solomon Eagle (taken from a Quaker of the seventeenth century) – one of his reviews from 1915 was of The Rainbow ...