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Odilon Redon (born Bertrand Redon; French: [ɔdilɔ̃ ʁədɔ̃]; 20 April 1840 – 6 July 1916) was a French Symbolist draftsman, printmaker, and painter. Early in his career, both before and after fighting in the Franco-Prussian War , Redon worked almost exclusively in charcoal and lithography , works known as his noirs .
The Cyclops (Le Cyclope in French) is a painting by Odilon Redon that depicts the myth of the love of Polyphemus for the naiad Galatea. It was painted in oils on board, then mounted on wood, and is now in the Kröller-Müller Museum in the Netherlands. [1] The painting has been variously dated between 1898 and 1914.
Thou art chaste and diest of desire, White night of ice and of the cruel snow!" [4] As André Fontainas noted 1928 in Mes souvenirs du Symbolisme, many artists since responded to it. [19] Prominent works influenced by the painting include: Jules Massenet's Herodiade (1877) Odilon Redon's Salome with the Head of John the Baptist and Apparition
The Chariot of Apollo (1905–1914), by Odilon Redon, Musée d'Orsay, Paris. Odilon Redon was a pupil of Stanislas Gorin, Jean-Léon Gérôme, Rodolphe Bresdin and Henri Fantin-Latour. [61] He developed a fantastic and dreamlike subject matter, influenced by the literature of Edgar Allan Poe, which largely preceded surrealism.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1916, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
César Mange de Hauke (8 March 1900 – 15 June 1965), was a French art dealer. [1] His name has also been spelled de Haucke and de Hawke. "Exhibition of paintings, pastels, drawings... by Odilon Redon, november 1928, organized by De Hauke & Co. Inc.", New York, De Hauke & Co. Inc., 1928
English: c. 1899 painting by Odilon Redon, Le Mort de Bouddha (The Death of Buddha). According to "Odilon Redon. Communiqué de presse. 2 février 18 mai 2014. Fondation Beyeler", the painting is found at Millicent Rogers private collection and has the dimensions of 49 x 39,5 cm
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
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