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The Pont Gustave-Flaubert (English: Gustave Flaubert Bridge) is a vertical-lift bridge over the river Seine in Rouen, Seine-Maritime, Normandy, France. It was officially opened on 25 September 2008 [2] after four years of construction. [1] The bridge itself cost approximately €60 million to build. Additional costs, including work to ...
The museum is located in a former port building, Building 13, not far from the new Gustave Flaubert Bridge. The building was built in 1926, and was called Building M until 1966, when the Autonomous Port of Rouen (Port autonome de Rouen) was created.
The Pont Jacques Chaban-Delmas's approx. 110-metre (360 ft) lift span is likely the longest in Europe, [1] but that of the Pont Gustave-Flaubert is very nearly as long. Pont Gustave-Flaubert – crossing the Seine at Rouen, this lift bridge is the highest vertical-lift bridge in Europe, [citation needed] allowing ships up to 55 m tall to pass ...
After each bridge is listed the name of the communes which it links together, with the one on the right bank of the river given first. The list does not include bridges over its tributaries. Beside the bridge crossings, eight ferry crossings, all located in the département de Seine Maritime are still in use as of 2020.
The bridge is a cable-stayed bridge (specifically of the fan design), whose principal span reaches 320 metres (350 yd) and is made of prestressed concrete. It is considered an engineering feat and was the first bridge of this type in the world. [citation needed] The bridge was a toll bridge until 2006, at which point crossing it became free.
Salammbô is an opera in five acts composed by Ernest Reyer to a French libretto by Camille du Locle.It is based on the homonymous novel by Gustave Flaubert (1862). Initially refused by Paris, Reyer's opera enjoyed its first performance at the Théâtre Royal de la Monnaie in Brussels, on 10 February 1890, with sets designed by Pierre Devis and Armand Lynen.
His Souvenirs littéraires (2 vols., 1882–1883) [9] contain much information about contemporary writers, especially Gustave Flaubert, of whom Du Camp was an early and intimate friend. In 1878, he published an account of the Paris Commune called Les Convulsions de Paris , drawing from articles on the subject he had written for the Revue des ...
The rigidities, conventions, and other limitations of "bourgeois realism" prompted in their turn the revolt later labeled as modernism; starting around 1900, the driving motive of modernist literature was the criticism of the 19th-century bourgeois social order and world view, which was countered with an anti-rationalist, anti-realist and anti ...