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A mondegreen (/ ˈ m ɒ n d ɪ ˌ ɡ r iː n / ⓘ) is a mishearing or misinterpretation of a phrase in a way that gives it a new meaning. [1] Mondegreens are most often created by a person listening to a poem or a song; the listener, being unable to hear a lyric clearly, substitutes words that sound similar and make some kind of sense.
The poem is divided into 10 sections (pattu) of about 100 verses each.Each hundred is divided into 10 decads (tiruvaymoli) 28 of 10 verses (pasuram) each.A special feature of the poem is that it is in the style of an antati, that is, the last words of one verse forms the opening words of the next one.
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The mondegreen is a modern author quoting the modern song "Hava Nagila". I presume that we all agree that this is in the modern Hebrew language, which is distinct enough from other varieties of Hebrew to have its own grammar article; the only question is how to label it in the section
The American writer Sylvia Wright coined the term "mondegreen" in an essay "The Death of Lady Mondegreen", which was published in Harper's Magazine in November 1954. [7]In the essay, Wright described how, as a young girl, she misheard the final two lines of the above verse as "they have slain the Earl o' Moray, and Lady Mondegreen."
The pavai songs are part of an ancient tradition amongst unmarried young girls, where they would light lamps in the early mornings of Margali, and sing songs in praise of Shiva. The 20 stanzas are sung, one on every day and then followed by the 10 songs of the Tirupalliyeluchi. It is believed that such rituals would bring prosperity and a ...
The majority of the songs are sung to Murugan, but there are also a few songs that sing of deeds of Shiva or the avatars of Vishnu, and of the power of Parvati. Almost all songs end addressing Murugan as Perumal, a term that traditionally had strong associations with Tamil Vaishnavism. However the literal meaning in Tamil of the word Perumal is ...
Venpa or Venba (வெண்பா in Tamil) is a form of classical Tamil poetry. Classical Tamil poetry has been classified based upon the rules of metric prosody. [1] Such rules form a context-free grammar. Every venba consists of between two and twelve lines.