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Leitmotif associated with Siegfried's horn call in Richard Wagner's 1876 opera, Siegfried. A leitmotif or Leitmotiv [1] (/ ˌ l aɪ t m oʊ ˈ t iː f /) is a "short, recurring musical phrase" [2] associated with a particular person, place, or idea.
For example, the 1965 film Thunderball features scenes of deep-sea diving and this is reflected in the associated opening sequence; [25] similarly the opening sequence for the 1964 film Goldfinger shows clips from Bond films projected onto the gold-painted silhouette of actress Margaret Nolan: the titles have been described by Bond scholars ...
A through line is a connecting theme or plot used in media such as films and books. It is sometimes also called the 'spine', and was first suggested by Konstantin Stanislavski as a simplified way for actors to think about characterization.
Together with "Yoda's Theme", "The Imperial March" was premiered on April 29, 1980, three weeks before the opening of the film, on the occasion of John Williams' first concert as official conductor-in-residence of the Boston Pops Orchestra. [2] One of the best known symphonic movie themes, it is used as a leitmotif throughout the Star Wars ...
The Star Wars theme is among the most widely recognized in film history, and the "Force Theme" and "Princess Leia's Theme" are well-known examples of leitmotif. The score was immensely successful—it remains the highest grossing non- popular music recording of all time—and won Williams a second Academy Award for Best Original Score . [ 73 ]
Film Year Director Music used from: Ref. The Birth of a Nation: 1915 D. W. Griffith "Ride of the Valkyries" [1] The Viking: 1928 Roy William Neill: Parsifal, Flying Dutchman, Die Walküre [2] Un Chien Andalou: 1929 Luis Buñuel: Tristan und Isolde [3] L'Age d'Or: 1930 Luis Buñuel: Tristan und Isolde [3] Murder! 1930 Alfred Hitchcock: Tristan ...
Making Stars is a 1935 Fleischer Studios animated short film, starring Betty Boop. [1] The short contains one of the earliest clear examples of the oriental riff that would become popular as a leitmotif for Asian culture following the release of the 1974 song Kung Fu Fighting.
"Curse" motif from film scores, associated with villains and ominous situations. Play ⓘ Hugo Riemann defines a motif as "the concrete content of a rhythmically basic time-unit." [11] Anton Webern defines a motif as, "the smallest independent particle in a musical idea", which are recognizable through their repetition. [12]