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The use of the crest and torse independently from the rest of the achievement, a practice which became common in the era of paper heraldry, has led the term "crest" to be frequently but erroneously used to refer to the arms displayed on the shield, or to the achievement as a whole.
Pope Benedict XVI substituted a specific design of mitre for the papal tiara in his coat of arms, being the first pope to do so, although Pope Paul VI was the last pope to be crowned with the papal tiara. The arms of ecclesiastical institutions have somewhat different customs, using the mitre and crozier more often than is found in personal ...
The activities of the Institute encompass research, design, development, standardization, quality control, and other services relating to official symbolic items—seals, decorations, medals, insignia, badges, flags, and other items awarded to or authorized for official wear or display by government personnel and agencies.
A research design typically outlines the theories and models underlying a project; the research question(s) of a project; a strategy for gathering data and information; and a strategy for producing answers from the data. [1] A strong research design yields valid answers to research questions while weak designs yield unreliable, imprecise or ...
It has been associated with Leicester since the time of Thomas, 2nd Earl of Lancaster and Leicester (c. 1278–1322), the most powerful lord in the Midlands, who used it as his personal crest. [21] A green Wyvern stands in the emblem of the ancient and historical Umbrian city of Terni, the dragon is called by the citizens with the name of ...
A research proposal is a document proposing a research project, generally in the sciences or academia, and generally constitutes a request for sponsorship of that research. [1] Proposals are evaluated on the cost and potential impact of the proposed research, and on the soundness of the proposed plan for carrying it out. [2] Research proposals ...
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Heraldry developed in the High Middle Ages based on earlier traditions of visual identification by means of seals, field signs, emblems used on coins, etc. Notably, lions that would subsequently appear in 12th-century coats of arms of European nobility have pre-figurations in the animal style of ancient art (specifically the style of Scythian art as it developed from c. the 7th century BC).