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The life-size [1] ancient but much restored marble statue known as the Barberini Faun, Fauno Barberini or Drunken Satyr is now in the Glyptothek in Munich, Germany. A faun is the Roman equivalent of a Greek satyr. In Greek mythology, satyrs were human-like male woodland spirits with several animal features, often a goat-like tail, hooves, ears ...
The bronze statue of a dancing faun (actually a satyr, since the lower body is that of a man) is what the House of the Faun is named after. In the centre of the atrium there is a white limestone impluvium, a basin for collecting water. The statue was found on October 26 of 1830 near one side of the impluvium and a small fountain in the center. [4]
The Dancing Satyr soon after its recovery, 1998. The torso was recovered from the sandy sea floor at a depth of 500 metres (1,600 ft) off the southwestern coast of Sicily, on the night of March 4, 1998, in the nets of the same fishing boat (operating from Mazara del Vallo, hence the sculpture's name) that had in the previous year recovered the sculpture's left leg.
Capitoline Faun, exemplar from the Capitoline Museums, c. 130 AD (inv. 739) Ruspoli Faun, Munich Glyptothek (inv. 228). The Resting Satyr or Leaning Satyr, also known as the Satyr anapauomenos (in ancient Greek ἀναπαυόμενος, from ἀναπαύω / anapaúô, to rest) is a statue type generally attributed to the ancient Greek sculptor Praxiteles.
The Barberini Faun (located in the Glyptothek in Munich, Germany) is a Hellenistic marble statue from about 200 BCE, found in the Mausoleum of the Emperor Hadrian (the Castel Sant'Angelo) and installed at Palazzo Barberini by Cardinal Maffeo Barberini (later Pope Urban VIII). Gian Lorenzo Bernini restored and refinished the statue. [4]
Head of a Faun is a lost sculpture by Italian Renaissance master Michelangelo, dating from c. 1489.His first known work of sculpture in marble, it was sculpted when he was 15 or 16 as a copy of an antique work with some minor alterations.
It was the largest bronze sculpture cast in a single piece in the United States at that time. [2] Barnard's plaster model for the sculpture's base featured a rock surrounded by reeds and cattails, with a standing crane to visually balance Pan's head. He also modeled Laughing Faun, a small mask to cover the water spouts around the sculpture's base.
In the few years between 1806 and the opening of the museum in 1830, Ludwig completed a notable collection of Greek and Roman sculpture. Through his agents, he managed to acquire such pieces as the Medusa Rondanini, the Barberini Faun, and, in 1813, the figures from the Aphaea temple on Aegina.
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