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Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
The collaboration between Albert Gleizes and Jean Metzinger that would lead to the publication of Du "Cubisme" began during the aftermath of the 1910 Salon d'Automne. [3] At this massive Parisian exhibition, renowned for displaying the latest and most radical artistic tendencies, several artists including Gleizes, and in particular Metzinger, stood out from the rest.
This work is one of Metzinger's most conspicuous early examples of 'mobile perspective' implementation. Bohr's interest in Cubism, according to Miller, was anchored in the writings of Metzinger. Arthur Miller concludes: "If cubism is the result of the science in Art, the quantum theory is the result of art in science." [69]
Woman with a Fan (French: Femme à l'Éventail, also known as The Lady) is an oil painting created in 1912 by the French artist and theorist Jean Metzinger (1883–1956). ). The painting was exhibited at the Salon d'Automne, 1912, Paris (hung in the decorative arts section inside the Salon Bourgeois of La Maison Cubiste, the Cubist House), and De Moderne Kunstkring, 1912, Amsterdam (L ...
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
The fact that the 1912 exhibition had been curated to show the successive stages through which Cubism had transited, and that Du "Cubisme" had been published for the occasion, indicates the artists' intention of making their work comprehensible to a wide audience (art critics, art collectors, art dealers and the general public). Undoubtedly ...
The same year, showing a great interest in color and reflecting the transient influence of Fauvism, the work of Gleizes became more synthetic with a proto-Cubist component. [ 5 ] [ 6 ] Albert Gleizes, 1911, Portrait de Jacques Nayral , oil on canvas, 161.9 x 114 cm, Tate Modern, London.
La Femme au Cheval is an oil painting on canvas with dimensions 162 × 130.5 cm (63.8 × 51.4 in). As the title indicates the painting represents a woman and a horse. The rather elegant woman wearing only a pearl necklace and the horse are immersed in a landscape with trees and a window (in the 'background'), a vase, with fruits and vegetation (in the 'foreground') clearly taken from the ...