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Dancer in a Café (also known as Danseuse au café or Au Café Concert and Danseuse) is an oil painting created in 1912 by the French artist and theorist Jean Metzinger.The work was created while Metzinger and Albert Gleizes, in preparation for the Salon de la Section d'Or, were publishing, Du "Cubisme", [1] the first major defense of the Cubist movement, and it was first displayed (under the ...
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Joseph Csaky (also written Josef Csàky, Csáky József, József Csáky and Joseph Alexandre Czaky) (18 March 1888 – 1 May 1971) was a Hungarian avant-garde artist, sculptor, and graphic artist, best known for his early participation in the Cubist movement as a sculptor.
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
The new contrasting color scheme is also a technique found in Cubism and is reminiscent of Picasso’s blue period. [3] Also, the noticeable use of shading and shadow in the background and on the figures faces is also a technique influenced by Cubism. The work is also a “Parisian” depiction of Spanish dancers.
He was also acknowledged as the first artist to introduce cubism and abstract art to the Jordanian arts community. [13] Durra was Jordanian artist by nature, and his depiction of the Bedouin and local Jordanian were key subjects in his early years. [14] Select list of paintings. Blue Man Árabe, 1966; Cubista Paisaje Urbano, 1966; Portrait of ...
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Dasburg exhibited three oils and a sculpture [2] at the International Exhibition of Modern Art, better known the Armory Show, which opened in New York City's 69th Regiment Armory in 1913 and introduced astonished New Yorkers to modern art. [7] The three Cubist-oriented oils displayed at the 1913 show were considered "daringly experimental". [8]