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Carl Jacob Christoph Burckhardt (25 May 1818 – 8 August 1897) was a Swiss historian of art and culture and an influential figure in the historiography of both fields. His best known work is The Civilization of the Renaissance in Italy (1860).
The Civilization of the Renaissance in Italy (German: Die Cultur der Renaissance in Italien) is an 1860 work on the Italian Renaissance by Swiss historian Jacob Burckhardt. Together with his History of the Renaissance in Italy (Die Geschichte der Renaissance in Italien; 1867) it is counted among the classics of Renaissance historiography. An ...
The Italian Renaissance historian Giorgio Vasari used the term rinascita ("rebirth") in his Lives of the Most Excellent Painters, Sculptors, and Architects in 1550, but the concept became widespread only in the 19th century, after the work of scholars such as Jules Michelet and Jacob Burckhardt. The Renaissance began in Tuscany in Central Italy ...
They also note that while Kantorowicz endorsed Burckhardt's thinking, that Frederick was the prototypical modern ruler, whose Gewaltstaat later became the model of tyrannies for all Renaissance princes, Kantorowicz primarily saw Frederick as the last and greatest Christian emperor, who embraced "Medieval World Unity". [5]
Voigt belonged to the founders of modern research into the Italian Renaissance along with Jacob Burckhardt. In 1860, Voigt was called by Heinrich von Sybel to the University of Rostock as professor of history. In 1866, he became professor of history at the University of Leipzig, following the historian Wilhelm Wachsmuth.
As originally conceived and practiced in the 19th century by Burckhardt, in relation to the Italian Renaissance, cultural history was oriented to the study of a particular historical period in its entirety, with regard not only to its painting, sculpture, and architecture, but to the economic basis underpinning society, and to the social ...
Petrarch's implication that he was the first to climb mountains for pleasure, [10] and Burckhardt's insistence on Petrarch's sensitivity to nature have been often repeated since. [11] There are also numerous references to Petrarch as an "alpinist",. [12] However Mont Ventoux is not a hard climb, and is not usually considered part of the Alps. [13]
Jacob Burckhardt analyzes witch craft as neither good or evil, [4] the women who practiced magic did so to support themselves by providing potions and spells for her patrons' desires. [10] The physical features of Fornarina are completely unlike other painted women of the time; she was more healthy-looking with ample body parts (full lips ...