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Lubomyr Melnyk at the Aarhus Festival, Denmark, 2018. Lubomyr Melnyk (born December 22, 1948) is a composer and pianist of Ukrainian origin. [1] [2] [3]Melnyk is noted for his 'continuous music', a piano technique featuring extremely rapid notes and complex note-series, usually with the sustain pedal held down to generate harmonic overtones and sympathetic resonances.
The absence of gapless playback is a source of annoyance to listeners of music where tracks are meant to segue into each other, such as some classical music (opera in particular), progressive rock, concept albums, electronic music, and live recordings with audience noise between tracks.
In the late 1980s, The Village Voice named KMH as one of the "10 albums you can't live without". [3]In his review of the 2007 re-release, Stephen Eddins (Allmusic) praised Melnyk's performance, saying that it "boggles the imagination" and that it would appeal to "fans of minimalism and maverick experimentalism with an immensely attractive sound."
A sung-through stage musical, musical film, opera, or other work of performance art is one in which songs entirely or almost entirely replace any spoken dialogue. ...
Sing Something Simple was a half-hour radio programme, which featured Cliff Adams and The Cliff Adams Singers, with Jack Emblow on accordion. The programme, which featured arrangements of popular easy-listening songs, ran for 42 years from 1959 until 2001, initially on the BBC Light Programme and later on BBC Radio 2, and earning itself the title of the longest-running continuous music ...
Weekly folk music program [9] Metropolitan Opera: 92 44 by Milton Cross (1931-1975) NBC Blue Network (1931-1945), ABC (1944-1958), CBS Radio (1958-1960), syndicated (1960–present) 25 December 1931 1,500+ Longest-running continuous classical music program in radio history [10] Rambling with Gambling: 91 34 by John B. Gambling: WOR: 1925 2016
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The electronic dance music genres that followed disco in the 1980s and 1990s, such as house music and techno, kept disco's bass drum rhythm but discarded orchestral arrangements and horn sections. House and techno had a more minimalist sound that layered electronic sounds and samples over a drum machine and a repetitive synth bassline.
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