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  2. Biblical allusions in Shakespeare - Wikipedia

    en.wikipedia.org/wiki/Biblical_allusions_in...

    Biblical Themes in Shakespeare: Centring on King Lear Tokyo, Japan: The Renaissance Institute, 1975. Milward, Peter. Shakespeare’s Religious Background Chicago: Loyola University Press, 1973. Moore, Peter R. “A Biblical Echo in Romeo and Juliet” Notes and Queries 51(3) (Sep 2004): 278–9. Nicholson, B[rinsley].

  3. Minotaur - Wikipedia

    en.wikipedia.org/wiki/Minotaur

    In Greek mythology, the Minotaur [b] (Ancient Greek: Μινώταυρος, Mīnṓtauros), also known as Asterion, is a mythical creature portrayed during classical antiquity with the head and tail of a bull and the body of a man [4] (p 34) or, as described by Roman poet Ovid, a being "part man and part bull".

  4. Characters of Shakespear's Plays - Wikipedia

    en.wikipedia.org/wiki/Characters_of_Shakespear's...

    In, again, Macbeth, the entire play "is done upon a stronger and more systematic principle of contrast than any other of Shakespear's plays." [304] He notes that "a certain tender gloom overspreads the whole" of Cymbeline. [31] Romeo and Juliet shows "the whole progress of human life" in which "one generation pushes another off the stage."

  5. A plague o' both your houses! - Wikipedia

    en.wikipedia.org/wiki/A_plague_o'_both_your_houses!

    A plague o' both your houses! is a catchphrase from William Shakespeare's tragedy Romeo and Juliet. The phrase is used to express irritation and irony regarding a dispute or conflict between two parties. It is considered one of the most famous expressions attributed to Shakespeare. [1]

  6. Macbeth (character) - Wikipedia

    en.wikipedia.org/wiki/Macbeth_(character)

    Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.

  7. Count Paris - Wikipedia

    en.wikipedia.org/wiki/Count_Paris

    A mock-Victorian revisionist version of Romeo and Juliet ' s final scene forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. This version has a happy ending: Romeo, Juliet, Mercutio and Paris are restored to life, and Benvolio reveals he is Paris' love, Benvolia, in disguise. [16]

  8. Macbeth - Wikipedia

    en.wikipedia.org/wiki/Macbeth

    Macbeth and Banquo with the Witches by Henry Fuseli. In the play, the Three Witches represent darkness, chaos, and conflict, while their role is as agents and witnesses. [57] Their presence communicates treason and impending doom. During Shakespeare's day, witches were seen as worse than rebels, "the most notorious traytor and rebell that can ...

  9. Banquo - Wikipedia

    en.wikipedia.org/wiki/Banquo

    Macbeth and Banquo Meeting the Three Witches by John Wootton. Many scholars see Banquo as a foil and a contrast to Macbeth. Macbeth, for example, eagerly accepts the Three Witches' prophecy as true and seeks to help it along. Banquo, on the other hand, doubts the prophecies and the intentions of these seemingly evil creatures.