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Plaque commemorating the Savoy Ballroom in Harlem, New York City. The ballroom went out of business in October 1958. [22] Despite efforts to save it by Borough President Hulan Jack, Savoy Ballroom manager and co-owner Charles Buchanan, clubs, and organizations, the Savoy Ballroom was demolished for the construction of the Delano Village housing complex between March and April 1959. [23]
Calloway was a master of energetic scat singing and led one of the most popular dance bands in the United States from the early 1930s to the late 1940s. His band included trumpeters Dizzy Gillespie , Jonah Jones , and Adolphus "Doc" Cheatham , saxophonists Ben Webster and Leon "Chu" Berry , guitarist Danny Barker , bassist Milt Hinton , and ...
Shortly after arriving in New York City, Dehn stumbled upon the Savoy Ballroom in Harlem, an influential hotspot of African-American social dance.The dancing she found there was unlike anything she had ever seen—all of the energy of jazz she had come to love in Europe, with a characteristically American ease of movement.
Lincoln Gardens was a very large dance hall and nightclub located at 459 East 31st St Chicago, IL 60616. [1] An important venue in youth culture in Chicago during the early 20th century, it was the largest dance hall in South Side, Chicago prior to the construction of the Savoy Ballroom in 1927. [2]
Whitey's Lindy Hoppers was a professional performing group of exceptional swing dancers that was first organized in the late 1920s by Herbert "Whitey" White in the Savoy Ballroom and disbanded in 1942 after its male members were drafted into World War II.
Besides playing at the Roseland, Henderson played at the Savoy Ballroom in Harlem, playing until 3:30 in the morning. [19] During the 1930s, he recorded for Columbia, Crown (as "Connie's Inn Orchestra"), ARC (Melotone, Perfect, Oriole, Vocalion), Bluebird, Victor, and Decca. Starting in the early 1920s, he recorded popular hits and jazz tunes.
The interior of the ballroom in 1941, with the band playing. From 1927 until 1940, there was continuous music supplied by two bands per night. When one band took a break, the other would go on. During these years, the Savoy was open seven days a week. Although most of the Savoy's patrons were black, growing numbers of white Chicagoans visited ...
In 1931, his band became the house band at the Savoy Ballroom. He became one of the best-regarded bandleaders and drummers of the new " swing " style. Drummer Buddy Rich cited Webb's powerful technique and virtuoso performances as heavily influential on his own drumming, and even referred to Webb as "the daddy of them all". [ 8 ]
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