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Voodoo tradition makes its own distinction between black and white magic, with sorcerers like the Bokor known for using magic and rituals of both. But practitioners' penchant for magic associated with curses, poisons and zombies means they, and Voodoo in general, are regularly associated with black magic.
Modern day Voodoo is usually associated with satanism and witchcraft. This is because of how voodoo is presented in media and pop culture. In pop culture, Voodoo is often portrayed as "black magic" and placing "hexes". Along with witchcraft, Vodou is commonly connected with harm and animal sacrifice, the main use for Vodou is healing.
Throughout Haitian history, Christians have often presented Vodou as Satanic, [553] while in broader Anglophone and Francophone society it has been widely associated with sorcery, witchcraft, and black magic. [554] In U.S. popular culture, for instance, Haitian Vodou is usually portrayed as destructive and malevolent. [555]
The occult is a category of supernatural beliefs and practices, encompassing such phenomena as those involving mysticism, spirituality, and magic in terms of any otherworldly agency. It can also refer to other non-religious supernatural ideas like extra-sensory perception and parapsychology .
West African Vodún, a religion practiced by Gbe-speaking ethnic groups; African diaspora religions, a list of related religions sometimes called Vodou/Voodoo . Candomblé Jejé, also known as Brazilian Vodum, one of the major branches (nations) of Candomblé
Roughly similar to voluntary possession in Vaudon (Voodoo), sanghyang is considered a sacred state in which hyangs (deities) or helpful spirits temporarily inhabit the bodies of participants. The purpose of sanghyang is believed to be to cleanse people and places of evil influences and restore spiritual balance.
Haitian mythology consists of many folklore stories from different time periods, involving sacred dance and deities, all the way to Vodou.Haitian Vodou is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Kongo and Yoruba traditions, and folkloric influence from the indigenous Taino peoples of ...
Herbert Stanley Redgrove claims necromancy as one of three chief branches of medieval ceremonial magic, alongside black magic and white magic. [30] This does not correspond to contemporary classifications, which often conflate "nigromancy" ("black-knowledge") with "necromancy" ("death-knowledge").
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