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La dolce vita (Italian: [la ˈdoltʃe ˈviːta]; Italian for 'the sweet life' or 'the good life' [2]) is a 1960 satirical comedy-drama film directed by Federico Fellini and written by Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi.
She later said "things became a little bit boring for me after La Dolce Vita because every producer or director in Italy, England and America wanted me to recreate the same role – the movie star from America who comes over to Italy." [20] Ekberg then appeared in Boccaccio '70 (1962), a film that also featured Sophia Loren and Romy Schneider.
Marcello Vincenzo Domenico Mastroianni [a] Cavaliere di Gran Croce OMRI (28 September 1924 – 19 December 1996) was an Italian actor. He is generally regarded one of Italy's most iconic male performers of the 20th-century, who played leading roles for many of the country's top directors, in a career spanning 147 films between 1939 and 1996, garnering many international honours including two ...
La Dolce Vita by Federico Fellini; Telegrame by Gheorghe Naghi and Aurel Miheles; Bad Luck (Zezowate szczęście) by Andrzej Munk; Ballad of a Soldier (Ballada o soldate) by Grigori Chukhrai; The Chasers (Jakten) by Erik Løchen; Cidade Ameaçada by Roberto Farias; The Delinquents (Los golfos) by Carlos Saura; The Enchanting Shadow (Ching nu yu ...
The 1960 film La Dolce Vita by Federico Fellini immortalized Via Veneto's hyperactive lifestyle, lights, and crawling stream of honking traffic. Some of Rome's most renowned cafés and five star hotels, like Café de Paris , Harry's Bar , Regina Hotel Baglioni, and The Westin Excelsior, Rome , are located in Via Veneto.
The radiant French star and dark-eyed beauty of classic films including Federico Fellini’s “La Dolce Vita” and Claude Lelouch’s “A Man and a Woman.” June 18. Donald Sutherland, 88. The ...
Born in İzmir to French parents in the diplomatic service, she left Turkey for France in 1951, and her acting career began soon thereafter. [1]She acted in multilingual cinema chiefly from 1951 to 1980, appearing in three Italian films directed by Federico Fellini, [2] for whom she was a favorite performer and known as his muse.
Nights of Cabiria is transitional; it points toward the visual freedom of La Dolce Vita while still remaining attentive to the real world of postwar Rome. The scene involving the good samaritan provides a framework to show people living in city caves and under bridges, but even more touching is the scene where Cabiria turns over the keys of her ...