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The Suite for Jazz Orchestra No. 2 (Russian: Сюита для джазового оркестра №2) is a suite by Dmitri Shostakovich.It was written in 1938 for the newly founded State Jazz Orchestra of Victor Knushevitsky, and was premiered on 28 November 1938 in Moscow (Moscow Radio) by the State Jazz Orchestra.
Each of the suite's movements is arranged from Shostakovich's scores for the ballet, theatre, and cinema. The first and last movements are based on the "March" from the 1940 comedy film Adventures of Korzinkina []; [11] the "Waltz I" is an arrangement of a cue that had been cut from the film.
Dmitri Dmitriyevich Shostakovich [a] [b] (25 September [O.S. 12 September] 1906 – 9 August 1975) was a Soviet-era Russian composer and pianist [1] who became internationally known after the premiere of his First Symphony in 1926 and thereafter was regarded as a major composer.
It is scored for 3 saxophones (soprano, alto and tenor), 2 trumpets, trombone, wood block, snare drum, cymbals, glockenspiel, xylophone, banjo, Hawaiian guitar, piano, violin and double bass. [2] The premiere was on March 24, 1934. [2] A performance takes about 8 minutes. [1] Shostakovich used the waltz in his 1935 ballet The Limpid Stream. [3]
Lost. Shostakovich used a theme from this work in "Immortality" from the Suite on Verses of Michelangelo Buonarroti. [3] Hymn to Freedom: Piano 1915–1916 Lost [3] Taras Bulba (based on the eponymous story by Nikolai Gogol) Opera (instrumentation unknown) 1915–1916 Lost [3] Revolutionary Symphony: Orchestra 1917–April 1918 Partially lost [3]
Download as PDF; Printable version; In other projects Wikimedia Commons; ... Piano Sonata No. 2 (Shostakovich) 24 Preludes and Fugues (Shostakovich) 24 Preludes ...
The standard dose is about the same, 1–2 mg per pound of body weight, but a slightly higher dose of 3 mg per pound may be helpful with some dogs. (This is higher than the dose recommended, but ...
In a jazz context, "waltz" signifies any piece of music in 3/4 time, whether intended for dancing or not. [5] Although there are early examples such as the "Missouri Waltz" by Dan and Harvey’s Jazz Band (1918) and the "Jug Band Waltz" or the "Mississippi Waltz" by the Memphis Jug Band (1928), they are exceptional, as almost all jazz before 1955 was in duple meter. [6]
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