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Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain.The earliest example of the form is the Batrachomyomachia ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great.
Arabella Fermor, a 19th-century print after Sir Peter Lely's portrait of her. The Rape of the Lock is a mock-heroic narrative poem written by Alexander Pope. [1] One of the most commonly cited examples of high burlesque, it was first published anonymously in Lintot's Miscellaneous Poems and Translations (May 1712) in two cantos (334 lines); a revised edition "Written by Mr. Pope" followed in ...
An example of musical burlesque is Richard Strauss's 1890 Burleske for piano and orchestra. Examples of theatrical burlesques include W. S. Gilbert's Robert the Devil and the A. C. Torr – Meyer Lutz shows, including Ruy Blas and the Blasé Roué. A later use of the term, particularly in the United States, refers to performances in a variety ...
Don Juan by Lord Byron (1824), an example of a "mock" epic in that it parodies the epic style of the author's predecessors [12] Camões by Almeida Garrett (1825), narrating the last years and deeds of Luís de Camões; Dona Branca by Almeida Garrett (1826), the fantastic tale of the forbidden love between Portuguese princess Branca and Moorish ...
Mac Flecknoe (full title: Mac Flecknoe; or, A satyr upon the True-Blue-Protestant Poet, T.S. [1]) is a verse mock-heroic satire written by John Dryden. It is a direct attack on Thomas Shadwell, another prominent poet of the time. It opens with the lines: Bust of Mac Flecknoe, from an 18th-century edition of Dryden's poems
Although parody is a long-standing literary genre, the mock heroic of Augustan times began to share its territory with parody, using the deflationary inversion of values - comparing small things with great - as a satirical tool in the deconstruction of the epic style. [1]
The Rape of the Lock (1712 and 1714) was a gentle mock-heroic, but it was built upon Virgil's Aeneid. Pope applied Virgil's heroic and epic structure to the story of a young woman (Arabella Fermor) having a lock of hair snipped by an amorous baron (Lord Petre).
Ottava rima is a rhyming stanza form of Italian origin. Originally used for long poems on heroic themes, it later came to be popular in the writing of mock-heroic works. Its earliest known use is in the writings of Giovanni Boccaccio.
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