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Jimmy Weston's Restaurant & Jazz Club was an American restaurant and jazz club in New York City, located on East 56th Street beginning in 1963, then, seven years later, moved it to 131 East 54th Street. Tommy Furtado was selected as the house musician and maintained that position until the club closed twenty years later.
The last jazz club there closed in 1968, though one remains as a restaurant. Today, the street is full of banks, shops, and department stores and shows little trace of its jazz history. The block from 5th to 6th Avenues is formally co-named "Swing Street" and one block west is called " W. C. Handys Place".
Downbeat Jazz Club [4] Famous Door [4] Hickory House [4] Jazz Standard; Jimmy Ryan's [4] Kelly's Stables; Onyx Club [4] Three Deuces [4] Bowery. Five Spot; Columbus Circle. Dizzy's Club (Jazz at Lincoln Center) [1]: 2 East Village. 8BC; Nublu Club [1]: 2–3 Greenwich Village. Arthur's Tavern; Blue Note [1]: 2 Boomer's [4] The Bottom Line [4 ...
This page was last edited on 29 December 2021, at 19:31 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Jimmy Ryan's was a jazz club in New York City, USA, located at 53 West 52nd Street, Manhattan, from 1934 to 1962 and 154 West 54th Street from 1962 to 1983. [1] It was a venue for performances of Dixieland jazz .
Eddie Condon, Tony Parenti, Wild Bill Davison, Brad Gowans, Jack Lesberg, and Freddie Ohms at Eddie Condon's of New York City in June 1946 Eddie Condon's was the name of three successive jazz venues in New York run by jazz banjoist, guitarist, and bandleader Eddie Condon from 1945 until the mid-1980s. [1]
This page indexes the individual year in jazz pages. Each year is annotated with a significant event as a reference point. Jazz portal; 2020s - 2010s - 2000s - 1990s - 1980s - 1970s - 1960s - 1950s - 1940s - 1930s - 1920s - 1910s - 1900s - Pre-1900s
Samuel Blythe Price (October 6, 1908 – April 14, 1992) [1] was an American jazz, boogie-woogie and jump blues pianist and bandleader. [2] Price's playing is dark, mellow, and relaxed rather than percussive, and he was a specialist at creating the appropriate mood and swing for blues and rhythm and blues recordings.
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