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The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. The Italian word libretto (pronounced, plural libretti) is the diminutive of the word libro ("book").
Tod Machover in Barcelona 2007. Tod Machover (born November 24, 1953, in Mount Vernon, New York), is a composer and an innovator in the application of technology in music.He is the son of Wilma Machover, a pianist and Carl Machover, a computer scientist.
Theodoor Jacob "Theo" van Leeuwen FAHA (born 1947) [1] is a Dutch linguist and one of the main developers of the sub-field of social semiotics. [2] [3] He is also known for his contributions to the study of Multimodality; he wrote with Gunther Kress Reading Images: The Grammar of Visual Design, one of the most influential books on the topic.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
The theme of the opera can be summarized as "Which is the greater art, poetry or music?" This was a topic of discussion at the time of the setting, as in a 1786 Salieri opera named for the issue, Prima la musica e poi le parole (First the Music and Then the Words). This question is dramatized in the story of a Countess torn between two suitors ...
Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance.
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Computer and synthesizer technology joining together changed the way music is made and is one of the fastest-changing aspects of music technology today. Max Mathews, an acoustic researcher [9] at Bell Telephone Laboratories' Acoustic and Behavioural Research Department, is responsible for some of the first digital music technology in the 1950s.