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2. Watts Gallery - Wikipedia

   en.wikipedia.org/wiki/Watts_Gallery

   Following the closure of the De Morgan Centre, London, in the summer of 2014, the Watts Gallery and the De Morgan Foundation, a registered charity [8] preserving the work of William De Morgan and Evelyn De Morgan, entered into a collaboration which saw the opening of a long term exhibition in the Richard Jeffries Gallery in the main gallery building. [9]

3. After the Deluge (painting) - Wikipedia

   en.wikipedia.org/wiki/After_the_Deluge_(painting)

   After the Deluge was exhibited in unfinished form in 1886 as The Sun at St Jude's Church, Whitechapel; [17] [D] Samuel Barnett, vicar of St Jude's, organised annual art exhibitions in east London in an effort to bring beauty into the lives of the poor; [24] he had a close relationship with Watts, and regularly borrowed his works to display them ...

4. Richard Jefferies (curator) - Wikipedia

   en.wikipedia.org/wiki/Richard_Jefferies_(curator)

   Richard Jefferies agreed to sit for Jon Edgar for a portrait using local Compton clay quarried from the foundations of the Brickfields pottery of Mary Wondrausch.The portrait was unveiled at the re-opening of the Watts Gallery in June 2011 and forms part of the Compton Triptych [2] unveiled at The Human Clay exhibition, Lewis Elton Gallery, University of Surrey in November 2011.

5. The All-Pervading - Wikipedia

   en.wikipedia.org/wiki/The_All-Pervading

   The All-Pervading is an allegorical painting produced between 1887 and 1890 by the English artist George Frederic Watts. Influenced by the Sibyls of the Sistine Chapel ceiling , it symbolises the spirit Watts saw as governing "the immeasurable expanse".

6. George Frederic Watts - Wikipedia

   en.wikipedia.org/wiki/George_Frederic_Watts

   The plaster model was part of the artist's bequest to Watts Gallery, and, also in 1904, the first bronze cast of the work (made in 1902 at the Parlanti Foundry) [12] became the artist's last submission to the Royal Academy's summer exhibition. It marked a new prominence for the courtyard of Burlington House as a site for dramatic contemporary ...

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8. Physical Energy (sculpture) - Wikipedia

   en.wikipedia.org/wiki/Physical_Energy_(sculpture)

   Watts said it was a symbol of "that restless physical impulse to seek the still unachieved in the domain of material things". The original plaster maquette is at the Watts Gallery, and there are four full-size bronze casts: one in London, one in Cape Town, one in Harare and one soon to be sited at Watts Gallery - Artists' Village in Compton ...

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