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The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology.
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.
A moustache (UK: / m ə ˈ s t ɑː ʃ /; mustache, US: / ˈ m ʌ s t æ ʃ /) [1] is a growth of facial hair grown above the upper lip and under the nose. Moustaches have been worn in various styles throughout history. [2] Count Gaishi Nagaoka, Japanese officer and Vice Chief of the General Staff in Japan during the Russo-Japanese War.
Lord Banquo / ˈ b æ ŋ k w oʊ /, the Thane of Lochaber, is a semi-historical character in William Shakespeare's 1606 play Macbeth. In the play, he is at first an ally of Macbeth (both are generals in the King's army) and they meet the Three Witches together. After prophesying that Macbeth will become king, the witches tell Banquo that he ...
Fleance appears in Shakespeare's Macbeth. However, only his childhood is portrayed; the rest of his story, as it is described in Holinshed's Chronicles, does not appear in Shakespeare's play. Scholars suggest that Shakespeare does not elaborate on Fleance's life after his escape from Scotland to avoid unnecessary distraction from the story of ...
King Duncan is a fictional character in Shakespeare's Macbeth. He is the father of two youthful sons (Malcolm and Donalbain), and the victim of a well-plotted regicide in a power grab by his trusted captain Macbeth.
His mustache is now a solid black and his eyes are a bit beadier as the pupils have been removed. Julius Pringles’ eyebrows are even more expressive and the bowtie looks a bit sharper. If you ...
Macduff's son, in his bold denunciation of the murderers, is a strong symbol of the danger Macbeth faces. Paradoxically, the more Macbeth tries to rid himself of the human emotions (compassion, love) that lead to children, the less capable he is of meeting this threat and controlling his future.