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"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff , are approaching Macbeth 's castle to besiege it.
Each table is arranged alphabetically by the specific work, then by the language of the translation. Translations are then sub-arranged by date of publication (earliest-latest). Where possible, the date of publication given is the date of the first edition by that translator. More modern editions/versions may be available.
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology.
Macbeth (Italian pronunciation: [ˈmakbet; makˈbɛt]) [1] is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, Macbeth was Verdi's tenth opera and premiered on 14 March ...
[143] [144] [145] In Macbeth, the shortest and most compressed of Shakespeare's tragedies, [146] uncontrollable ambition incites Macbeth and his wife, Lady Macbeth, to murder the rightful king and usurp the throne until their own guilt destroys them in turn. [147] In this play, Shakespeare adds a supernatural element to the tragic structure.
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The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.