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The Dapper Dans barbershop quartet, at Disneyland's Main Street, USA WPA poster, 1936. Barbershop vocal harmony is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture.
A key aspect of the Society's mission is in the preservation of barbershop music. To this end, it maintains the Old Songs Library. Holding over 100,000 titles (750,000 sheets) this is the largest sheet music collection in the world excepting only the Library of Congress.
"Goodbye, My Coney Island Baby" is a popular barbershop song composed in 1924 by Les Applegate. [1] [2] The tune was later adopted by Texas A&M for their Aggie War Hymn, the words of which were written in 1918 by J.V. "Pinky" Wilson, while he was serving in France during World War I.
Cover of 1903 sheet music, with inset photo of singer Pearl Redding "(You're the Flower of My Heart,) Sweet Adeline" is a ballad best known as a barbershop standard. It was first published in 1903, with lyrics by Richard Husch Gerard to music by Harry Armstrong, from a tune he had written in 1896 at the age of 18. According to a 1928 newspaper ...
The song was performed on multiple episodes of The Royle Family, played by titular character Jim Royle on his signature banjo. Since the song refers to a young man wanting to find a wife like his mother, it is perhaps inevitable that some commentators have suggested, with varying degrees of seriousness, that the song's title and lyrics promote ...
After the group performed the song at a Woolworth store in Kansas City it became so popular that the store sold all 1,000 copies of the sheet music Taylor had brought with him. Since then over four million copies of its sheet music have been sold and it has become a staple for barbershop quartets. [2] [3] [4]
Barbershop harmony is a style of unaccompanied vocal music characterized by consonant four-part chords for every melody note in a predominantly homophonic texture. Each of the four parts has its own role: the lead sings the melody, with the tenor harmonizing above the melody, the bass singing the lowest harmonizing notes, and the baritone completing the chord.
Other songs from the same period also used the tune. The same notes form the bridge in the "Hot Scotch Rag", written by H. A. Fischler in 1911. [citation needed] An early recording used the seven-note tune at both the beginning and the ending of a humorous 1915 song, by Billy Murray and the American Quartet, called "On the 5:15".
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