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His films have ranked highly in critical polls such as that of Cahiers du Cinéma and Sight & Sound, which lists his 1963 film 8 + 1 ⁄ 2 as the 10th-greatest film. Fellini's best-known films include I vitelloni (1953), La Strada (1954), Nights of Cabiria (1957), La Dolce Vita (1960), 8½ (1963), Juliet of the Spirits (1965), Fellini Satyricon ...
Federico Fellini in the 1970s. This article is a list of awards and nominations received by Federico Fellini. Fellini's films have received four Academy Awards for Best International Feature Film for La Strada (1956), Nights of Cabiria (1957), 8½ (1963), and Amarcord (1974).
For the 1956 Academy Awards, a competitive Academy Award of Merit, known as the Best Foreign Language Film Award, was created for non-English speaking films, and has been given annually since. [5] As of 2023, thirty Italian films have been nominated for Academy Award for Best International Feature Film, and eleven films have won the award.
In 2012, the world’s film critics considered Federico Fellini’s 1963 Oscar-winning “8 ½” one of the 10 greatest films of all time. By 2022, Fellini’s landmark film had fallen out of the ...
La dolce vita (Italian: [la ˈdoltʃe ˈviːta]; Italian for 'the sweet life' or 'the good life' [2]) is a 1960 satirical comedy-drama film directed by Federico Fellini and written by Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi.
Best Actress: Year Name Film Status Milestone / Notes 1955 Anna Magnani: The Rose Tattoo: Won First Italian actress to win for Best Actress. 1957 Wild Is the Wind: Nominated 1961 Sophia Loren: Two Women: Won (original title: La ciociara) Second Italian actress to be nominated. First Italian actress to win for Best Actress in an Italian-language ...
Pages in category "Films directed by Federico Fellini" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes.
For Vincent Canby of The New York Times, Satyricon was "the quintessential Fellini film ... a travelogue through an unknown galaxy." [27] Roger Ebert of The Chicago-Sun Times originally stated the film was a masterpiece, and he ranked the film 10th in his 10 Best Films of 1969 list. [28]