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A cloudscape painting by Jacob Isaakszoon van Ruisdael. In art, a cloudscape is the depiction of a view of clouds or the sky.Usually, as in the examples seen here, the clouds are depicted as viewed from the earth, often including just enough of a landscape to suggest scale, orientation, weather conditions, and distance (through the application of the technique of aerial perspective).
Images called "skyscapes" often do include clouds or land, but these things can also be excluded or kept to a minimum. The view may be from Earth or from a level far above. There is often nothing to suggest scale in the art, unless a bit of landscape is included or some phenomena such as the depiction of clouds, precipitation, rainbows and aurorae.
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The clouds tend to form "when air blows across a mountain range in certain circumstances" and when there is enough moisture in the air, it said.
Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period.The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world.
The aerial cloudscapes painted by Georgia O'Keeffe in the 1960s and 1970s are a special case. Many of them are not landscapes at all, since they don't show any land. They depict images of clouds viewed from above, suspended in blue sky, with the land below nowhere to be seen; it is the view of clouds regarded at a downward and sideways angle, as from the window of an airplane.
The sky formations are known as "cavum clouds" or "fallstreak holes." Here we explore unique facts about these "hole-punch clouds." Learn how passing airplanes shape their formation.
Equivalent (1926), one of many photographs of the sky taken by Stieglitz.. Equivalents is a series of photographs of clouds taken by Alfred Stieglitz from 1925 to 1934. They are generally recognized as the first photographs intended to free the subject matter from literal interpretation, and, as such, are some of the first completely abstract photographic works of art.