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"Randy Scouse Git" is a song written by Micky Dolenz in 1967 and recorded by the Monkees. It was the first song written by Dolenz to be commercially released, and it became a number 2 hit in the UK where it was retitled "Alternate Title" after the record company (RCA) complained that the original title was actually somewhat "rude to British audience" and requested that The Monkees supply an ...
The song was released as the first single from their fourth studio album Suck It and See and was released as a digital download on 12 April 2011. [5] On 16 April, a "limited-edition white-label seven-inch vinyl version" was released followed by the formal release "on standard seven – and 10-inch vinyl single formats" on 30 May. [ 6 ]
The Monkees were an American pop rock band formed in Los Angeles in the mid-1960s. The band consisted of Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork.Spurred by the success of TV series The Monkees, the Monkees were one of the most successful bands of the late 1960s.
"Words" is a song written by Tommy Boyce and Bobby Hart and released by the Monkees. An early version by the Leaves appeared on their 1966 album Hey Joe. [2] The Monkees first recorded the song for their second album, More of The Monkees, in August 1966 under the supervision of Boyce and Hart.
Instant Replay is the seventh studio album by the American pop rock band the Monkees, released in 1969 by Colgems Records.Issued 11 months after the cancellation of the group's NBC television series, it is also the first album released after Peter Tork left the group and the only album of the original nine studio albums that does not include any songs featured in the TV show.
Goodie Mob recorded a track "One Monkey Don't Stop No Show" as the title track of their 2004 album. [1] Earthgang recorded "Meditate" that referenced the saying in the third verse of the song. [citation needed] Bobby Rush wrote and recorded an "answer" song called "One Monkey Can Stop A Show" on his 2023 album "All My Love For You".
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[18] Caleb Caldwell of Slant Magazine reviewed the song positively, writing, "The heavy, molasses-slow rhythms, especially the late-night beats of "Why'd You Only Call Me When You're High," draw on Dr. Dre's brand of West Coast G-funk, as does Turner's use of broken rhymes and long, syllable-crammed lines, delivered in his characteristic sneer."