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A waistcoat (UK and Commonwealth, / ˈ w eɪ s (t) k oʊ t / or / ˈ w ɛ s k ə t /; colloquially called a weskit [1]) or vest (US and Canada) is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three ...
This was a shoe made from a single piece of leather which was cut to a pattern and folded up and around the foot, being secured with a length of leather. Kilt hose are long stockings normally worn knee-high with the upper part of the hose folded back down to create a thicker cuff just below the knee. They are made of wool or Acrylic or some ...
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
Waistcoats or vests were single- or double-breasted, with rolled shawl or (later) notched collars, and extremely tight through the waist. Waistcoats were sometimes worn two at time, in contrasting colors. Corsets or corset-like garments were worn by many men to draw in the waistline.
David Hume wears a reddish collarless dress coat and matching waistcoat trimmed with bands of gold. His shirt sleeves are gathered into wrist bands with tiny pleats—visible by his left hand—and have fine lace ruffles, 1766. John Grey, third son of the Earl of Stamford, wears a brown coat and waistcoat over a linen shirt, 1766.
The flat lace collar with curved corners that came into fashion in the 1660s is worn over a simple dark coat and waistcoat, 1674. This man wears white boothose over red stockings with low shoes, 1663–65. Artist Alexandre-François Desportes in hunting costume. His blue waistcoat has wide buttonholes, and he wears his own hair for outdoor ...
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