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  2. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    Sample rate Bit rate Bits per sample Latency CBR VBR Stereo Multichannel G.711: companding A-law or μ-law, PCM: 8 kHz 64 kbit/s 8 bit 125 μs (typical) Yes No No No G.711.0: Lossless compression of G.711: 8 kHz 0.2–65.6 kbit/s 8 bit 5–40 ms No Yes No No G.711.1: MDCT, A-law, μ-law: 8, 16 kHz 64, 80, 96 kbit/s 16 bit 11.875 ms Yes Yes No No

  3. Symbol rate - Wikipedia

    en.wikipedia.org/wiki/Symbol_rate

    The history of modems is the attempt at increasing the bit rate over a fixed bandwidth (and therefore a fixed maximum symbol rate), leading to increasing bits per symbol. For example, ITU-T V.29 specifies 4 bits per symbol, at a symbol rate of 2,400 baud, giving an effective bit rate of 9,600 bits per second.

  4. Bit rate - Wikipedia

    en.wikipedia.org/wiki/Bit_rate

    The physical layer net bitrate, [12] information rate, [6] useful bit rate, [13] payload rate, [14] net data transfer rate, [9] coded transmission rate, [7] effective data rate [7] or wire speed (informal language) of a digital communication channel is the capacity excluding the physical layer protocol overhead, for example time division ...

  5. Sample-rate conversion - Wikipedia

    en.wikipedia.org/wiki/Sample-rate_conversion

    Sample-rate conversion prevents changes in speed and pitch that would otherwise occur when transferring recorded material between such systems. More specific types of resampling include: upsampling or upscaling; downsampling, downscaling, or decimation; and interpolation. The term multi-rate digital signal processing is sometimes used to refer ...

  6. Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/Advanced_Audio_Coding

    more sample rates (from 8 to 96 kHz) than MP3 (16 to 48 kHz); up to 48 channels (MP3 supports up to two channels in MPEG-1 mode and up to 5.1 channels in MPEG-2 mode); arbitrary bit rates and variable frame length. Standardized constant bit rate with bit reservoir; higher efficiency and simpler filter bank.

  7. High-resolution audio - Wikipedia

    en.wikipedia.org/wiki/High-resolution_audio

    High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.

  8. Sampling (signal processing) - Wikipedia

    en.wikipedia.org/wiki/Sampling_(signal_processing)

    The sampling frequency or sampling rate, , is the average number of samples obtained in one second, thus = /, with the unit samples per second, sometimes referred to as hertz, for example 48 kHz is 48,000 samples per second.

  9. 44,100 Hz - Wikipedia

    en.wikipedia.org/wiki/44,100_Hz

    The selection of the sample rate was based primarily on the need to reproduce the audible frequency range of 20–20,000 Hz (20 kHz). The Nyquist–Shannon sampling theorem states that a sampling rate of more than twice the maximum frequency of the signal to be recorded is needed, resulting in a required rate of greater than 40 kHz.